'Modern Tech House' by Turbo Samples provides you with a fresh set of sounds that have conquered the modern tech house scene and listeners around the world. This set is a mix of tech house and bass house sounds. Good all around Tech House/ EDM set with all the parts you would need. If you like and you make music like FISHER (OZ) , Chris Lake, Chapter & Verse, DONT BLINK, Fab Massimo, LOW CEILING then this sample pack is undoubtedly for you.BASSIn this set you will find powerful sub bass loops with feel 'bass in your face'. This basses will give power to your track and will always keep you moving on a big dance floor or a small club. For ease of use, the basses is presented in two versions: with SC / no SC. Also for flexibility and convenience, you will find midi files to make your own bass loops. SYNTHAvailable in the product heavy and at the same time bright synth loops with a bass house and EDM atmosphere will never leave anyone indifferent on any dance floor. Just drag them into your new project and you will immediately get an unforgettable rave atmosphere. Synth loops are also available in two versions with corresponding midi files. DRUMSIn our sample pack you will find a large number of drum loops for the modern style. You can take a full loop for a quick start or make your own from a large number because we have recorded full versions of drum loops and all the elements separately for your flexibility and creativity. VOCALThis sample pack includes some vocal loops and vocal FX to give your next track a finished look. You can take a pre-made loop or cut and glue a few to add a twist or hook for your next track. All vocal loops and vocal FX are BPM and key labelled.SFX & DRUM FILLSSound FX and drum fills very important for the transition. Use our twisted fills and unusual effects for the transitions between parts of the track so that the atmosphere of the drive does not disappear for a second.
As always, we are trying our best to deliver unique stuff to work with. This time, we took inspiration from the most popular tech house releases and mixed them with breaks, old school organs and synths, crazy rave fx and vocals = what else do you need?
Modern Tech House MULTiFORMAT
In the sample pack, you will find a large number of drum loops for the modern tech house style. Drum loops are available in different variations: full version for quick start and separately for the flexibility of producing your own rhythm and sound. We also included ride loops.
Also in the sample pack you will find synth loops that are fully suited to modern tech house sound. Evil, dark, powerful and twisted synths will give unique emotions to your track and will not leave anyone indifferent. Synths are presented in two versions for production flexibility and a variety of ideas. You will also find midi versions of synths in the sample pack. We also included atmos synth loops which will be indispensable for creating the atmosphere in the breakdown.
With size around 500 MB, this pack will be one of your favorite if you producing techno, tech house, house or you need quality and modern drum hits, fxs, drum loops, synth loops, stabs, synth loops, bass loops ( or just bass shots), presets, midis.
When it comes to Tech house, TechHouseMarket is one of the top destination when looking for samples, MIDI & presets. Tech House Fundamentals Vol.3 is a must-have for any tech house producer because it contains more than 8800+ MB of high-quality audio content for a very affordable price. With influences from labels like NYX, Toolroom, Defected Records, and more, It includes both contemporary, trendier sounds as well as older, more traditional ones, as well as everything in between. Check out the sample pack via the button down below.
This one rolls out in an unforgettable manner, bringing together all the important elements with flawless style, production value and dancefloor energy. Loopmasters provides here 1.14 GB of content to get the party moving each and every time, with tech-house drum loops, house bass samples, dancefloor vocal loops, phat synth samples, punchy kicks, snares, FX and more! Must have.
This one from Production Music Live is a collection of 290+ loops and samples including Hat and Top Loops, Ambience and Noise Loops and state of the art Drum Samples which works with all DAWs. Top quality samples and groovy loops will help you start or finish your next tech house club track.
Postmodern architecture is a style or movement which emerged in the 1960s as a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Philip Johnson and Henry-Russell Hitchcock. The movement was introduced by the architect and urban planner Denise Scott Brown and architectural theorist Robert Venturi in their book Learning from Las Vegas. The style flourished from the 1980s through the 1990s, particularly in the work of Scott Brown & Venturi, Philip Johnson, Charles Moore and Michael Graves. In the late 1990s, it divided into a multitude of new tendencies, including high-tech architecture, neo-futurism, new classical architecture, and deconstructivism.[1] However, some buildings built after this period are still considered postmodern.[2]
In 1995, he constructed a postmodern gatehouse pavilion for his residence, Glass House. The gatehouse, called "Da Monstra", is 23 feet high, made of gunite, or concrete shot from a hose, colored gray and red. It is a piece of sculptural architecture with no right angles and very few straight lines, a predecessor of the sculptural contemporary architecture of the 21st century.[10]
The Japanese architects Tadao Ando (born 1941) and Isozaki Arata (born 1931) introduced the ideas of the postmodern movement to Japan. Before opening his studio in Osaka in 1969, Ando traveled widely in North America, Africa and Europe, absorbing European and American styles, and had no formal architectural education, though he taught later at Yale University (1987), Columbia University (1988) and Harvard University (1990). Most of his buildings were constructed of raw concrete in cubic forms, but had wide openings which brought in light and views of the nature outside. Beginning in the 1990s, he began using wood as a building material, and introduced elements of traditional Japanese architecture, particularly in his design of the Museum of Wood Culture (1995). His Bennesse House in Naoshima, Kagama, has elements of classic Japanese architecture and a plan which subtly integrates the house into the natural landscape, He won the Pritzker Prize, the most prestigious award in architecture, in 1995.[38]
Postmodern architecture first emerged as a reaction against the doctrines of modern architecture, as expressed by modernist architects including Le Corbusier and Ludwig Mies van der Rohe. In place of the modernist doctrines of simplicity as expressed by Mies in his famous "less is more;" and functionality, "form follows function" and the doctrine of Le Corbusier that "a house is a machine to live in," postmodernism, in the words Robert Venturi, offered complexity and contradiction. Postmodern buildings had curved forms, decorative elements, asymmetry, bright colours, and features often borrowed from earlier periods. Colours and textures were unrelated to the structure or function of the building. Rejecting the "puritanism" of modernism, it called for a return to ornament, and an accumulation of citations and collages borrowed from past styles. It borrowed freely from classical architecture, rococo, neoclassical architecture, the Vienna Secession, the British Arts and Crafts movement, the German Jugendstil.[42]
Postmodern buildings often combined astonishing new forms and features with seemingly contradictory elements of classicism. James Stirling the architect of the Neue Staatsgalerie in Stuttgart, Germany (1984), described the style as "representation and abstraction, monumental and informal, traditional and high-tech."[43]
Asymmetric forms are one of the trademarks of postmodernism. In 1968, the French architect Claude Parent and philosopher Paul Virilio designed the church Saint-Bernadette-du-Banlay in Nevers, France, in the form of a massive block of concrete leaning to one side. Describing the form, they wrote: "a diagonal line on a white page can be a hill, or a mountain, or slope, an ascent, or a descent." Parent's buildings were inspired in part by concrete German blockhouses he discovered on the French coast which had slid down the cliffs, but were perfectly intact, with leaning walls and sloping floors. Postmodernist compositions are rarely symmetric, balanced and orderly. Oblique buildings which tilt, lean, and seem about to fall over are common.[45]
Double coding meant the buildings convey many meanings simultaneously. The Sony Building in New York does this very well. The building is a tall skyscraper which brings with it connotations of very modern technology. Yet, the top contradicts this. The top section conveys elements of classical antiquity. This double coding is a prevalent trait of postmodernism.[citation needed]
Modernist architects may regard postmodern buildings as vulgar, associated with a populist ethic, and sharing the design elements of shopping malls, cluttered with "gew-gaws". Postmodern architects may regard many modern buildings as soulless and bland, overly simplistic and abstract. This contrast was exemplified in the juxtaposition of the "whites" against the "grays," in which the "whites" were seeking to continue (or revive) the modernist tradition of purism and clarity, while the "grays" were embracing a more multifaceted cultural vision, seen in Robert Venturi's statement rejecting the "black or white" world view of modernism in favor of "black and white and sometimes gray." The divergence in opinions comes down to a difference in goals: modernism is rooted in minimal and true use of material as well as absence of ornament, while postmodernism is a rejection of strict rules set by the early modernists and seeks meaning and expression in the use of building techniques, forms, and stylistic references. 2ff7e9595c
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